Emmanuel Rechenberg brings moving sound art to the Consol Theater
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When Sound Becomes Visible: KOnzertMEDitation with Emmanuel Rechenberg
On November 3, 2026, the cellar bar of the Consol Theater in Gelsenkirchen transforms into a concentrated space of sound and movement. At the KOnzertMEDitation, Michael Gees and Emmanuel Rechenberg encounter each other in a situational composition of music, eurythmy, movement, and felt presence.
Improvisation in the Moment
The focus is on immediate creation. Text, sound, and musical impulse are attentively perceived, examined, and connected to new contexts. An artistic space opens between the never before and never again, where each sound gains its own significance.
Movement, Sound, and Concentrated Listening
Emmanuel Rechenberg's movement improvisation adds a physical dimension to the concert. Gestures, dynamics, and rhythm enter into a dialogue with the musical events. The stage performance does not follow a predetermined action but develops from synchronization, reaction, and the courage to embrace the unpredictable.
A Special Format for Contemporary Music
KOMED stands for communal spontaneous creation of contemporary music. The format combines free improvisation with meditative attention and creates an immediate live atmosphere. The audience does not experience a repeatable setlist, but a unique composition that arises only in that moment.
Meet the Artists Afterwards
After the concert, the artists invite you to Meet the Artists. This way, the encounter is not limited to the stage: impressions, questions, and thoughts about the orchestration of the moment, the stage performance, and the creative process find space in direct exchange.
Conclusion: A Concert as a Collaborative Creation Process
Visitors can expect an intimate concert experience with free music, movement improvisation, and an intense audience atmosphere. Those who want to not just hear contemporary sound art but experience its creation will find an extraordinary evening at this KOnzertMEDitation at the Consol Theater.
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